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The slowest and most meditative track on the album finds Long repeating the same eight words like a mantra, addressed to his father's ghost: 'It's since you've gone/That I've found you.' Like much of the material on Barton's Den, it was recorded in the middle of the night. (Many of Barton's Den's tracks are working titles that became final.) It was the session file title, which he intended to change but never did.

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I finally figured out how to do it.' The title refers to the Norwegian black metal band of the same name because the music reminded Long of that band. 'It's inspired by the MiniKorg,' says Long, adding that it's a 'complicated sound I've been trying to put in a Dodos song. The song opens with quick, retro synth sounds that resemble a video game soundtrack.

He had this synth boogie-woogie that he would do-a lot of walking bass lines.' The synth voicings on the track were inspired by his father's music. It felt like I was able to continue a conversation with him. 'Here was this weird illegible writing, and I could totally understand how his brain was working.

Using his father's synthesizers after his death, however, felt like 'some sort of continuation of our non-relationship.' Long also inherited his father's handwritten notes containing technical instructions: which patches correspond with which instruments, etc. 'He was around, but we didn't have a relationship, really,' he says. Here, Long directly addresses his father's decline and the desire to finally connect with him before he dies ('The chances slipped between us/Now I talk to a computer'). Devo was a major influence on Meric Long's new solo album. Gerald Casale of Devo performs in concert at Los Angeles's Greek Theater on October 31, 2006. It came from that feeling coming out of being a new parent and being sleep-deprived and getting my feet back on the ground.' Long says he wrote the lyrics 'as if I was talking to my family,, 'I got you, guys. When I was writing, I got this surge of positivity that was weird for me. I went and recorded all the vocals for this record in Portland, when she was 8 months old. The bright energy on this track was inspired by the joy of new fatherhood. But when Long played those samples for his wife, 'I was like, 'This sounds like a song. Initially, he couldn't imagine turning his musical experiments into a completed album. It emerged from several samples Long made on a Korg MS-20 synthesizer. Speaking of Devo, 'the opening beat is inspired by a song Mothersbaugh did for The Life Aquatic,' Long says. 'I used to look for someone never around,' he sings.Ī tense, up-tempo track with an explosion of guitar aggression around the two-minute mark. 'It's a total Frankenstein of a song,' says Long, with lyrics addressing his troubled relationship with his dad. That band's lead guitarist, Bob Mothersbaugh, was nicknamed 'Bob 1' to differentiate him from bandmate Bob Casale, 'Bob 2.' The bright, siren-like synths-another Devo reference-were combined with guitar samples that had been recorded during an isolated stint in Galicia, Spain. The title has several meanings: It's a reference to Long's father, whose name was Bob, as well as a reference to Devo. Long told us the story behind every song on the new album. The record is a curious and eerie meditation on grief and noncommunication, with influences as varied as Devo, the metal band Gorgoroth and a sputtering bathroom fan. These tracks resulted in Long's new solo album, Barton's Den, released under the name FAN. The synths felt like a portal of communication with his dad, who had worked for a pharmaceutical company and pursued music as a 'secretive' hobby. 'When you acquire things belonging to someone who passes on, you go, 'Do I get rid of this? Do I start a new hobby?''ĭuring periods of isolation and reflection-as well as the birth of his first child-Long began using the instruments to compose songs addressing his grief and his regret over his difficult relationship with his father. 'I felt some sense of obligation,' says Long. He had inherited several vintage synthesizers from his dad: an Akai AX60 and a Realistic Concertmate MG-1.

But in 2015, when his father died following an illness, Long put the band on hold. For 13 years (and counting), Meric Long has been known as the lead singer for Dodos, a beloved San Francisco indie-rock duo that emphasizes furious percussion and acoustic guitar interplay.

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